Michael Papaeleftheriou
Producer - Writer - Director - Editor
Crossroads is the culmination of my 10+ years in filmmaking.
I decided to pour everything I had learnt into 1 big project and for 6 months I lived and breathed this film. Writing, pre-production and raising funds at my day job.
Production came, and it was beyond smooth. After some time in the edit suite it became apparent that all that work had paid off.
As our festival run approaches, I turn my attention to marketing and promotion while keeping my screenwriting skills sharp over on the Screenwriting Community, Script Camp.
Michael Angelis
Cinematographer - Co-Producer
M. Angelis has been a key collaborator in my filmmaking journey.
Always willing to join forces both technically and creatively on projects, whether they’re simple practice scenes, skits, or fully fledged films, his presence and expertise have been essential.
The budget behind Crossroads was a chance for us to sink extra attention into a project and really flex our creative muscles.
When we’re not working together, he and his business partner Ben run Still Rolling Productions, where they do all things visual between narrative and commercial projects.
Michael Sugerman
Line Producer - Co-Producer
I met M. Sugerman early on in film school and after crewing together on numerous crazy sets and somehow coming out clean on the other side, we realised we’d be in each other's creative lives for years to come.
He somehow always finds a way to brighten each set he’s on with his infectious yet enigmatic persona, so getting him to help on Crossroads was a given.
When he’s not on set he’s shooting weddings and writing screenplays.
Ben Gageler
Camera Assistant - Co-Producer
Ben is the other half (and business partner) to Cinematographer M. Angelis, together they create the magic behind the camera.
Having such a cohesive duo leading the camera department has provided a unique well of expertise to draw from on past projects and this one was no different.
In addition to being a gun at focus pulling Ben’s attention to detail has saved many a shot from mediocrity.
Ben along with M. Angelis takes on both narrative and creative projects over at Still Rolling Productions.
Leon Har
Assistant Director
Leon was another soul from the film school tribe. M.Sugerman roped him into a few of the fast and loose productions where we quickly discovered that he was a kindred spirit.
Working with Leon was like having a second firearm on set. He somehow took care of every odd task available while still being available to slate and keep us all on task.
He ensured that the set continued to run smoothly well into the night and that we were all able to come back and shoot the following night with a renewed energy.No small task when you have a small crew.
When he’s not on set, Leon does photography and travel videos.
David Le Do
Sound Recordist
David came well recommended. His portfolio was legit and after a quick call I knew he had the expertise to give Crossroads the attention it needed.
I regret that I don’t have a creative anecdote to share…
David came, saw and kicked ass the way you want your sound recordist to do when you’re working on your biggest project yet.
His presence was a relief on set and his file organisation removed any chance of stress in the editing suite.
You’ll find David on set on both narrative and commercial projects.
Jessica Tatchell
Hair and Make up Artist
Jessica began her journey into the craft with special FX and beauty makeup in high school before moving onto the National Institute of Dramatic Arts.
Getting in depth on how the characters should look and feel with Jessica was an absolute pleasure. It was a much welcome reminder on just how prepared a director needs to be to answer each and every possible creative question that a crew member may have.
After all everything you see on screen is meant to reflect a conscious decision.
The decision to give Joey’s character a scar and how it ended up influencing one of my favourite shots was of particular importance, and Jessica made it happen.
Mark Ho and Daniel Martin
Armourer
Having seldom been on set with a firearm present, I have to admit that it was quite confronting.
Mark's complete dedication to proper practices quickly became obvious though, and I was quickly put at ease.
The team at Arms and Fx extended their expertise creatively as well. When it came to the type of firearm we would use and how well it fit into the story.
After a brief on the characters and setting, Daniel was able to provide a very fitting selection that helped drive our actors' performances in the right direction.
